Fragments – Unfinished Short Story

Blinding red and blue lights. Blaring sirens.

The air filled with the smell of copper,

and faintly,

the smell of something burning.

I’m conscious…

Unconscious.

Aware—but only

in fragments.

A dark sky above me.

Pouring rain.

Then

the darkness of my closed eyelids.

Red and blue lights.

Flashing.

Closer now…

Two men towering over me. Then,

a voice.

“Stay with me, son. The ambulance is on the way. It’ll be okay.”

The words hang

lifeless

in the heavy air.

A groan escapes my lips.

Then,

darkness.

“Hang in there, son. You’re alright.”

More sirens.

“It’ll be alright.”

Flashes.

Red and blue…

Darkness.

Empty

darkness.

Then,

the voice again—calm and composed.

“I need you to stay with me, son. Can you tell me your name?”

A croak of a voice—could it be mine?

“Jordan.”

Then,

Blackness.

 

*****

Startled into consciousness, I wake up all in a rush, throwing the covers off of myself and bolting out of bed. It takes a moment for me to find my balance in the dark of my bedroom, but I manage to stumble out of my bedroom and clumsily make my way to the bathroom, my vision blurred with sleep. I splash my face with icy water and then brace myself against the counter with trembling arms, breathing in shaky, heavy gasps.

Just a dream, I tell myself. Just a dream.

Once my vision clears, I study my face in the mirror. In consciousness, I’ve shed my thirteen year-old skin. I’m seventeen again. My eyes are wild, more black pupil than brown iris, and unnaturally wide given that it’s the middle of the night.

I pass my uncle’s room on my way back to bed. He’s asleep. Probably dreaming of some girl he’d met at a bar a few hours earlier.

I return to my room, now wide awake. Before I climb into bed to do what I assume will be stare at the ceiling for the next few hours, I stumble my way to my desk in the darkness—there’s no moon tonight—and slash a tally mark onto the sticky note that’s stuck to my desk—a familiar yellow in the night.

Forty-six.

 

*****

 

The next night I’m stretched out on the sofa listening to music and trying to shake my pick out of the sound hole of my guitar. Normally I’d be holed up in my little bedroom, but I thought a change of scenery would be good after last night’s episode. That was as vivid as the dreams had gotten in a long time.

The front door flies open.

My uncle stumbles into the apartment with a rush of chilly air. I hadn’t even heard his key turn in the lock over my music. A pen rattles on the glass coffee table with the weight of my uncle’s drunken footfalls when he steps inside.

It’s only midnight, and normally he wouldn’t be home for hours.

My uncle stumbles past me, then throws himself down onto the recliner across from me.

“Home early, Jeff?” I don’t expect an answer.

“Joorrrrdaaaaan,” he slurs. “Could youuuu … cooouuld you git me a—” He stops.

I clench my jaw. When he doesn’t finish, I ask bitterly, “What do you need?”

“I neeeeed—”

The pick falls out of my guitar and lands on my stomach. Triumphantly, I slide it into my jeans pocket where it can’t fall down a sound hole.

I look over at my uncle. He’s lying awkwardly stretched out on the recliner, all limbs and baggy pants. His mouth is hanging open, and his eyes are closed, his usual impudence hidden beneath drowsiness.

I grab my guitar and turn to disappear into my room, turning off the stereo on the way.

I hear a drawn out “Jorrrdannn” from the living room, but I don’t turn around to see what Jeff wants.

I shut myself inside my room and go to bed.

 

*****

 

“Jordan. Are you awake?”

My head hurts. That’s all I can think.

“Jordan?” A woman’s voice.

I open my eyes.

It’s so bright.

All I see is a blur of pale white.

“Are you awake, honey?”

There’s a face in front of me. Blurry.

“Honey, can you speak?”

The face broadens into a woman. An old woman, her face lined with thin wrinkles and framed by a fringe of grey-blonde hair. A nurse.

“Jordan, honey, you’re in the hospital.”

The hospital.

The hospital?

Oh, God.

Blood. Glass shards. A still, quiet car.

The hospital room fades into white.

My ears are ringing.

“Son, can you tell me your name?”

My parents. My sister.

The room comes back into focus.

“Where—” my voice is a croak. I swallow and taste metal. “Where are they?”

The nurse doesn’t answer.

“Where are they?”

The old woman’s mouth turns into a frown. She shakes her head. “You’re going to be okay, honey.”

“That … that wasn’t my question. Where’s my family?”

The nurse is just staring at me. Her face is sad. So sad.

“Jordan, … honey, … I … don’t know how to tell you this …—”

 

Writing Reflection for Creative Writing Class

      I am most proud of my Short Story called “Fragments.” It is a concept that I’ve been working with for a long time, and I hope to someday make this concept into a novel. I think this piece demonstrates my greatest growth as a fiction writer. It have never written something of its length successfully — my stories have always been either microfiction or much longer than a short story. I found it difficult to take a large concept like what “Fragments” will hopefully someday become and chop it into less than 1,000 words while successfully conveying all that I wanted to.

      Something that often holds me back in writing is editing as I go. An area of future growth for myself as a writer would be waiting to edit until I have all of my ideas down. I often find myself losing my train of thought when I get caught up in editing. I have always been somewhat of a “Grammar Nazi” in my own writing especially. If I could overcome the need for perfection while working, I think I could improve greatly as a writer.

The Chase – Expert Poem

The best time to catch themCat On The Prowl

Is after the sun has crouched

Just beneath the horizon.

Or so I’ve heard.

 

10 o’clock–when the humans

Have finally shut their eyes

For a night’s rest,

I slink through my portal

To the outdoors,

Soundless as my prey.

 

I sit in the grass

Straight and silent–a Sphinx.

And I wait.

With the sun down

And the winter wind whipping against me,

I’m sure it is cold to my competitors.

But I,

I’m a Maine Coon.

I have the thickest fur coat around,

And I’m a step ahead of them.

 

Sharp claws are best

To catch them,

They say,

A sharp nose helps too.

 

500 muscles

help me slide across the ground

In a low crouch.

It’s the best way to hunt,

They say.

 

24 whiskers

Guide me through the darkness

Where I know my prey must lurk.

 

They can slip away so quickly.

They’re as elusive like me.

I have 8 claws to snatch them off the ground

Easily

If only I could catch them.

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Where I’m From by Bri Reisinger is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

 

Ars Poetica

Poetry is nothing

Until given meaning.

Like a barren shore,

The tide out,

At midnight,

Longing for dawn

To be filled

Once again

With life.

 

Poetry is hidden

Until revealed.

A handwritten message

In a bottle

Along a beach,

Half-buried in sand.

Eager for curiosity

To persuade someone

To investigate.

 

Poetry is vacant

Until occupied.

A newly built house

With stark walls,

Naked halls,

Lonely rooms,

And unopened doors,

Yearning for a family

To fill the void.

 

Poetry is hollow

Until filled.

A half-empty glass

In the hand

Of a child

Dressed in black,

Desperate for an optimist

To convince him that

The glass is half full.

Empty-House

 

 

 

 

 

 

 

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Where I’m From by Bri Reisinger is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

Mirrors – MicroFiction

Hall of mirrors, Petrin Hill, Prague. 1998I’m in a room full of mirrors, surrounded by distorted reflections of myself. Dizzily, I’m stumbling forward, watching my short-for-a-guy body twist and warp from all angles, but it isn’t my reflection I’m focused on. I’m looking for Maya.

Reflections of people all around me fill the mirrors, tossing around splashes of color.

I spin around, and I’m still disoriented. Shapes fly by like a kaleidoscope.

This fun house is really messing with my head.

But I’m sure Maya is loving every moment of it. I knew she would; it’s the whole reason I’d brought her to the carnival. I imagine her awestruck, watching her own huge grin twist and distort.

No, I’m not imagining it—I’m seeing it. There she is. I recognize those big brown eyes that match mine perfectly.

I run up behind Maya, dizzy with disorientation and ignoring the ball of vague nausea that’s spinning in my gut. I lean down behind her to put my hands over her eyes. She gasps, touches my hands. Then, feeling familiar skin, laughs and shakes me off. I stumble backward.

“Happy birthday, little sis.” She admires my oddly shaped head in the mirror and spins to face me, her smile showing off the gap where she’d lost a front tooth.

It’s been too long since I’ve seen her happy.

…And she’s gone. It had been a dream. My arms that had just been around Maya are resting limply by my sides. I’m in a hospital bed, and I’m shaking.

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Where I’m From by Bri Reisinger is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

Cellar Door – MicroFiction

Image

I like to watch people.

I spend almost every weekend in the city. I find interesting characters. Then I follow them around for an hour, an afternoon, a day, half a week.

Not right behind them. Not even close behind them. Just close enough to observe them without anyone getting suspicious.

I follow my characters around until I find out the basics. What kind of shoes they wear, where they work, what kind of car they drive, where they live.

I follow their path on the sidewalk, mimic the way their heels hit the ground, peer into the same shop display windows they had, run my fingers across the car they’d gotten out of. I try to get a feel for their lifestyle.

She buys cake ingredients—she’ll be in the kitchen tonight. She buys cleaning supplies—she’ll start in the bathroom. He buys new clothes—he’s got a business meeting tomorrow.

That’s the easy part.

Getting into their house is a whole different story.

Some people make it simple. They’ll leave a key in a potted plant or under the welcome mat or under an oddly placed rock.

But others are smarter.

I’ve popped out screens to crawl through windows and even picked locks on cellar doors.

It’s never been about the money. It’s never been about the loot.

I do my work at night, or in the gloom of a hazy day. I’ve never worried about getting caught.

That is, until I did.

 

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Cellar Door by Bri Reisinger is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

In Half – A Villanelle

The branches cut the moon in half tonight,Moon Branch

and as I peer at the sky I know:

In one thousand ways you are more than I.

Who are you to glisten with colored light,

a hypnotizing glow on your face, though

the branches cut the moon in half tonight?

There is nothing there to give you stage fright

when the song in my head is yours, you know.

In one thousand ways you are more than I.

Lost somewhere deep in a city of light

while I’m barefoot on a dim country road.

The branches cut the moon in half tonight.

You haven’t thought of me, I bet, in spite

of my crossed fingers–they’re for you–although

in one thousand ways you are more than I.

The spotlight follows as you leave stage right

while tonight I’m all right just here alone.

The branches cut the moon in half tonight.

In one thousand ways you are more than I.

In the Checkout Line

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Chocolate ice cream–the kind that makes

my little brother

cough.

Soy milk–

with the blue cap.

Dog food–

the kind that

Michael buys for Roxy.

Eggs–

the chickens were lucky

to not be sold for meat.

Listerine–

the green kind that

stings

my sister’s tongue.

A pack of mechanical pencils–

the kind with the lead that

breaks

when I write with it.

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In the Checkout Line by Bri Reisinger is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

Where I’m From

Image Source: James Lee - flickr.com

Image Source: James Lee – flickr.com

I’m from the chill of November-
A Scorpion in the woods.
I’m from a wide river,
Water flowing over a rocky shore.
I’m from the Susquehannocks,
A family of sorts.
Close in relation,
Yet every man for himself.
I’m from the black of night
Lit by a full moon.
I’m from the Alpha’s call,
Pounding paws running in the dark.
I’m from obedience,
With a feisty edge.

I’m from a long howl,
A greeting to the full moon.
I’m from the pulse of tribal drums,
The dances, the laughter, the beat.
I’m from the hushed footfalls of a Native,
Quiet mind, pounding feet.
I’m from falling leaves,
The red, the yellow, the green.
I’m from the fallen arrowheads
Peeking through the grass, pointing at the stars.
I’m from the yellow of a wild owl’s eyes
As he stalks his prey from a tree.
I’m from the chill of November–
A Scorpion in the woods.

Creative Commons License
Where I’m From by Bri Reisinger is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.